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How to Draw Aircraft Like a Pro
How to Draw Aircraft Like a Pro

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Authors: Charlie Cooper, Ann Cooper, Andrew C. Whyte
Publisher: Zenith Press
Category: Book

Buy New: $74.95



New (1) Used (5) from $28.94

Avg. Customer Rating: 3.5 out of 5 stars 2 reviews
Sales Rank: 685363

Media: Paperback
Number Of Items: 1
Pages: 160
Shipping Weight (lbs): 1.5
Dimensions (in): 10.5 x 8.2 x 0.5

ISBN: 0760309604
Dewey Decimal Number: 740
UPC: 752748309609
EAN: 9780760309605
ASIN: 0760309604

Publication Date: January 11, 2002
Availability: Usually ships in 1-2 business days
Condition: fast shipping

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Editorial Reviews:

Product Description
This lively and informative guide will help everyone from casual doodlers to artists with professional aspirations draw World War I biplanes, World War II fighters and bombers and modern jet aircraft. Aviation author Charlie Cooper has assembled the work and knowledge of numerous aviation artists in a series of step-by-step instructions and illustrations. After laying a foundation of basic drawing concepts like perspective, proportion, light sources, ellipses and axes, the book proceeds to specific techniques for accurately rendering propellers, movement, color, cockpits, pilots and cutaways. Depicted in both color and black-and-white, this illustrated instructional also features a brief history of airplane design.



Customer Reviews:

4 out of 5 stars Bravo! Fills a 60-year Gap in Aviation Art Instruction Books   May 6, 2002
 12 out of 13 found this review helpful

"How to Draw Aircraft Like a Pro"

Looking for a primer on aviation art? Then this is your book!

"How to Draw Aircraft Like a Pro" fills a huge gap in the literature of art instruction by comprehensively addressing aviation fine art.

Frank Wootton published "How to Draw Planes" in 1941. Jim Dunavent wrote "How to Draw Airplanes" in 1973. Both of these books were nice efforts in their day, and have become collectable classics in their own right. Even if they were still in print, they would come far short of addressing the nuances of aviation art as comprehensively as does this new 2001 book.

To be sure, the necessities for producing fine art - composition, perspective, light and shadow, hue, value, intensity and so on, are independent of the subject matter. However, in practice, many people are drawn into the field of aviation art by dint of their passion for flight, rather than an overwhelming passion for art. This book was created to asist and encourage them.

Established fine artists who don't need the art basics may still find the engineering and aeronautical insights of this book helpful. Consumers of aviation art are among the most demanding and detail driven to be found anywhere. To the "rivet-counters," fine art is also accurate and believable. There is no quarter given under the guise of "artistic license". The painting had better be right in every aspect of the story it is representing.

The title itself is a good for getting the right people to pick it up and crack the cover. In truth, the book delivers far more than it promises, especially if you have the two books mentioned earlier. Drawing is the the crucial requisite skill for competant aviation art. It is the skill mentioned first by every master aviation artist who is queried on where to start. It is the also the skill most frequently neglected by the novice, who hopes in vain to shortcut the process by copying a photograph. The text hammers away on the basics of drawing, but also does get into the techniques for how to PAINT aircraft like a pro.

The book is comprehensive and affordable. I found myself wishing for much larger reproductions of the excellent artwork, and for a hard cover in the interest of durability, otherwise I'd have extended a fifth star to the rating.

"How to Draw Aircraft Like a Pro" represents the cumulative lessons-learned of the first great generation of aviation artists, those who have brought aviation art its long deferred recognition as bona fide "fine art". An aspiring aviation artist could spend years of painting and enduring professional critiques at ASAA Forums to uncover the popular pitfalls of composition and execution one at a time- or they could avail themselves of the collected wisdom in this book.

In summary, this book fills a huge gap in the literature. The artists and the authors did a very credible job of bringing together a huge amount of material on a complex subject.

And they did it just in time for helping to Celebrate the Centennial of Flight 1903-2003. What could be better?

Interested in aviation art?
Buy this book,
join the American Society of Aviation Artists,
and grab a pencil...

Oh-by-the-way:
In response to the question from the earlier reviewer--
Yes, the "Kate" on page 71 etc is actually a fixed gear Mitsubishi Ki-51 "Sonia". The Nakajima B5N2 "Kate" is correctly represented, with its gear retracted, on pages 122-123. Same ocean, same war, different branch of service.
Remember what I said about "rivet-counters"?


3 out of 5 stars Lots of good stuff, but...   January 28, 2002
 6 out of 9 found this review helpful

The book covers a lot of basic art fundementals, from media, sketching, values, shading, color, composition etc. There are plenty of excellent examples of finished drawings/paintings of aircraft with pitfalls to avoid. So why the but? Well, to me the key to drawing an airplane correctly starts with the ability to assure proper relative alignment and sizing of the aircraft's structures. The use of descriptive geometry to achieve this is covered in very, very, very basic terms (about 2 pages) with the example shown being a line drawing of an aircraft with all square surfaces. It would have been much more helpful to have an example of an actual aircraft drawn this way in all it's various stages. So, my suggestion, should you ever revise the book, is to drop all the basic art fundementals and get into the meat of descriptive geometry. What tools are needed, handy shortcuts, etc.

Oh, and by the way, what is the plane identified on pages 71, 120 & 121 as a "Kate"? It appears to be a Ki-51, but I could be mistaken.

 
   
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